How Blockchain is Revolutionizing Content Distribution – Investopedia

By Investopedia    October 5, 2017

The ever-increasing popularity of blockchain began with cryptocurrencies like bitcoin, but has since surpassed the worlds of finance and banking. With a slew of new businesses and applications built on the technology, these industries now represent the first wave of a mass decentralization that will soon impact the whole world. Blockchain helps distribute the cost of running a platform to its various participants, but rewards them for it in equal measure.

This decentralized model is already relevant for blockchain-based solutions such as cloud storage, payment processing, and cybersecurity. Soon, however, the technology will play a key role in the content distribution arena.

To many, this is a better deal than the old ways, which saw control and profits stay in the hands of content hosting companies rather than the content creators themselves. Blockchain can significantly disrupt this imbalanced status quo, and seeks to put the power back in the hands those who create and consume content.

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Does Blockchain Technology Pose a Threat to Netflix? – Investopedia

Blockchain is quickly becoming a buzzword in daily conversation, largely due to the popularity of cryptocurrencies like bitcoin, but also because of the innovations being built with the technology. As entrepreneurs and developers move to adopt blockchain, its potential to disrupt businesses far and wide becomes increasingly obvious. Blockchain technology uses the power of an encrypted, organized network of computers to run all kinds of processes. Industries like data storage, banking, cybersecurity, supply chain management and crowdfunding are some of the first to be affected, but these may just be the first dominoes to wobble.

Is blockchain a threat to Netflix and other streaming competitors like Hulu? The answer first requires a look at Netflix, and then how blockchain might interrupt the company’s wildly successful model. (See also: Is a Netflix Debt Bubble Coming?)

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South African company to tackle ebook piracy with blockchain technology – IT News Africa

Custos Media Technologies, a South African company that provides a globally effective solution to piracy by outsourcing the detection of pirated content using Bitcoin and its blockchain, announced on Wednesday 13 September 2017 that the company will be participating in a new blockchain-based anti-piracy solution for ebooks, following the recent news that content protection giant Digimarc and ebook publisher Erudition are joining forces.

This new collaboration debuts the combination of Digimarc Barcode for digital documents and Custos’ infringement detection technology. This provides a more effective, reader-friendly way to combat ebook piracy.

Erudition and Custos have worked closely together over the past year. The Stellenbosch-based media protection company provides technology that adds Bitcoin deposits to ebooks. These digital bounties enable Custos to rapidly detect piracy after the first copy of a file is shared.

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The Key To Widespread Artist Adoption Of Blockchain May Be Via An Esoteric Copyright Law – Forbes

After having written at length over the past several years about blockchain technology, I’m delighted to observe what appears to be growing consensus that this technology could become a core tool in facilitating the creation of a music industry ecosystem in which there are more winners than losers.

Without throwing cold water on the party (I am, indeed a blockchain true believer), I do have concerns that the pace of adoption by important stakeholders will be slower than we desire unless certain things occur. Blockchain technology is currently like a great engine that does not yet fit into any car. Specifically, while an ever-increasing number of emerging or independent artists may avail themselves of this technology, there is a vast category of artists who are walled off from the potential advantages of this technology: artists whose copyrights for their sound recordings or musical works are controlled by major labels or publishers.

Absent participation from this cohort, one has to wonder about the pace of widespread adoption of this technology.

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